Best tradeshow marketing tips and case studies. Call 800-654-6946.
Best tradeshow marketing tips and case studies. Call 800-654-6946.

Tradeshow Exhibit

5 Great Rental Exhibits that Look Custom

One of the ongoing debates I’ve heard since I joined the exhibit industry in early 2002 was this: which is better: a rental exhibit or an exhibit that you purchase to own?

There’s no right answer. Your situation may warrant one or the other. The other part of the debate I always heard is that once you rent two or three times, you have paid the full purchase price. That’s not always true, but it’s a good starting point.

One of our clients is based in Manhattan. They exhibit twice a year, often back to back. They don’t have room for storing the exhibit at their location. They don’t always have the same size exhibit, bouncing from a ten-foot exhibit to a twenty-foot inline. So renting makes perfect sense for them.

Other clients prefer the total customization that they couldn’t get from a rental exhibit. Buying makes sense to them. They can still change out graphics whenever they want, and they have the flexibility to use different versions of the booth in different situations without having to buy more parts.

And other clients use a combination of a purchased exhibit and rental pieces, such as renting a branded charging table and furniture to go with their purchased exhibit.

Just for fun, let’s take a look at some of the rentals that TradeshowGuy Exhibits offers that can be customized depending on your needs.

First things first. Recently we’ve added some options to our Exhibit Design Search that shows you which exhibits can be either purchased or rented. Just browse any segment and look for the small checkmark and RENT icon in the upper left corner.

For example, this 10’ inline exhibit, the VK-1971, offers back lit fabric graphics. It also comes in 20’ versions.

VK-1971 10' inline rent or purchase
VK-1971 10′ inline rent or purchase

Moving up to a 20’ inline you’ll find the ECO-2012-C | EcoFly which is also available as a rental or an outright purchase. Tension fabric graphics, frosted accent wings, standoff counters and more.

ECO-2012-C EcoFLy
ECO-2012-C EcoFLy

Heading up a little more to a 20×20 island exhibit, the ECO-4022 | Hybrid S Island works as either a rental or purchase option. Big tension fabric graphics, literature racks, monitor mounts, and yes, that big high graphic blaring out your brand.

ECO-4022 Hybrid S Island
ECO-4022 Hybrid S Island

At number 4, our Gravitee “no tools no kidding” exhibit gives you that RE-2051 | Gravitee Inline. Large format tension fabric or direct print graphics. Full size closet and a simple spare look. And easy to set up and take down.

RE-2051 Gravitee Inline
RE-2051 Gravitee Inline

And since 10×20 rentals are very popular, let’s look at one more: the RE-2059 Hybrid Inline. Loads of great things in this for small gatherings: closet with locking door, reception counter, iPad clamshell, metal brochure holders, large tension fabric graphics and more.

RE-2059 Hybrid Inline
RE-2059 Hybrid Inline

It used to be that rental exhibits were not the kind you’d want to show off much, but just get one to save some money and make an appearance. No more. Rentals have really come into their own.

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When it Comes to Tradeshow Exhibit Design, Are You Stuck in a Checklist?

Recently I was speaking with tradeshow expert Marlys Arnold of Image Specialist, and she made a comment that struck me: Are you stuck in a checklist?

3D exhibit design is part art, part craft, and part skill. I don’t claim to be a design expert, but I’ve seen thousands of exhibit booths over the years, and only a very few have really stood out. Why did they stand out? Because – to me – if you are familiar with the company and the brand, and you’re standing in front of the booth for the first time, you say to yourself, “They freaking nailed it with that design!” The design of the exhibit adheres so close to the brand’s identity that you can’t help but notice.

Why doesn’t this happen more often? Let’s go back to the checklist. Brand managers and designers can get into a trap of making sure that all the items needed for proper booth function are included – and stop there:

Storage? Check. Product Display? Check. Big backlit graphic? Check. Nice-looking greeting counter? Check. You see how this goes.

Don’t get me wrong. Checklists are important, and they’re a good place to start. But when the challenge is to create an exhibit that screams your brand does using the checklist – and only the checklist – really get you there?

Let’s say the branding guidelines advise the designer to use branding standards and follow natural and sustainable practices. Perhaps it adds that it should be made from sustainable materials. And then there’s a call-out for innovative ways to showcase products to draw attention and traffic.

It isn’t long before you get lost in corporate gibberish and bland buzzwords that don’t really communicate well. It’s not really the brand manager’s fault: this is how they think and how they’ve been trained.

So, what’s the answer?

Frankly, I don’t think the answer is easy. And it’s not that hard, either.

tradeshow exhibit design

Some companies are better at communicating their needs than others. Some designers are better at sussing out what the company really wants than others. If you, as a tradeshow brand manager, can succinctly put into words what you’re looking for and avoid the corporate buzzwords and gibberish, you’re half the way there. If you pick a designer that has the skill to intuitively take those descriptions and create a 3D design that screams “your brand!” that’s the other half.

See: easy, right?

In projects I’ve been involved in that have fully succeeded in creating a 3D version of the brand, the power of description has been palpable. Usually, a sketch, even a napkin sketch, has been provided because the brand manager has taken time to visualize the exhibit. They don’t usually have the skill to bring it fully to life, but they can often effectively demonstrate what they’re looking for. Perhaps it’s taking the specific curves of a brand’s graphic look and incorporating that into the curves of a greeting counter. Or it might mean taking the iconic mill structure of a brand and making that the central piece of an exhibit.

Whatever your brand, I would tell you this – and this is coming from a non-designer: determine what visual elements of your brand are the most important, and work with your designer to recreate those elements in the design of the exhibit.

It’s not always easy, but if it’s done effectively, it’ll knock your audience’s socks off.

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10 Questions to Ponder on Whether to Stay With – Or Leave – Your Exhibit House

It’s a common question: should you stay with your current exhibit house or move on to a new one? Naturally, there’s no one-size-fits-all answer. So, let’s go over some of the situations where the question might arise.

  1. How long have you been with your exhibit house? While the length of association isn’t a critical factor, it’s often one of the items that people look at first. If you’ve been using the same company for a decade, you may start to wonder if you’re being taken for granted. Which takes us to the next question:
  2. Are you being taken for granted? As a longtime salesperson and project manager working with clients in the exhibit world, it’s easy to slip into the ‘take it for granted’ mode. You think that once you have a client, they’ll always be there. After all, loyalty works both ways, right? No. It doesn’t.
  3. Is their creativity limited? Even though you’ve been working with the same vendor for years, do they have enough creativity to help you as you expand? This gets to the next question:
    change exhibit house
  4. Are you outgrowing your own exhibit house? You may work for a company that is growing by leaps and bounds. If your current exhibit provider only offers standard kits or modular exhibit properties and you’re ready for a custom-design-and-build, maybe it is time to move along.
  5. Is there a change in your management? Often, changes in vendors come about because someone new in management has made the decision, or given heavy influence, to using a vendor that he or she has worked with in the past. It could be because they have a good working relationship, or they’re good friends with someone at the other exhibit house. In any event, changes in key positions at a company can lead to changes in vendors.
  6. Are you shopping around? Often, changes come because a new, large project is in the offing and the marketing team wants to have a handful of exhibit houses compete for the job, so a Request for Proposal or RFP is released to a few select companies. May the best company win!
  7. How successful has your overall exhibiting program been – and how crucial to that success has your current vendor been? I’ve seen some clients I’ve worked with grow significantly during my association with them. Our part – design and fabrication of the booth – may be a small part of their tradeshow marketing program, but it’s a key element. And since it works well, from their point of view, there’s no reason to change. Why fix what isn’t broken?
  8. Do you get along with all the key players? No matter what you’re buying or contracting for, if the project or ongoing business association demands a lot of interaction, it’s critical that everybody has a good working relationship. If not, things get uncomfortable quick. Getting along with someone and having good communication when issues arise means more than almost anything else.
  9. Does your current exhibit house struggle to fill your needs? Are they a good fit? This may be one of those ‘you can’t see it because it’s behind the scenes’ situations, but if you sense that the vendor is stretched thin to meet your needs, they may not be a good fit. For example, at TradeshowGuy Exhibits, there’s no way we could handle a NIKE. It’d just be too much for us, even though having the contract would be a feather in our cap. You know, something to brag about to Mom. Our ‘wheelhouse,’ if we have one, is designing and fabricating smaller exhibits, from 10x10s to small islands, along with coordination of logistics when desired. Your exhibit house should know their capabilities and tell you if what you’re looking for isn’t a good fit for them.
  10. Finally, when it comes to fit, are you lost in the crowd? Smaller exhibitors may work with large exhibit houses, but in some cases, your small 10×10 project may be such a small project for a company that is used to building those large custom islands, that your teeny-tiny inline exhibit is not all that important to them. And if your project doesn’t feel important, you don’t feel important to them.

There’s no definitive answer to the question of when you should leave your current exhibit vendor. If you’ve been with your current vendor, it may take a significant change in your needs or changes in key positions to get to that point. In any event, there are hundreds of exhibit providers ready to assist you if you’re ready to make a change.

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5 Random Tradeshow Questions and Answers

Maybe these should be not-so-frequently-asked tradeshow questions. Or as we like to call them: NSFAQs. Because I don’t know if these questions ever get asked. But maybe they should.

  1. What do I do when the exhibit doesn’t show up? Hmm. It comes down to having a plan B. Or being able to think quickly on your feet. Being resourceful. Being like MacGuyver! It might mean printing up a quickie banner at a local print shop, getting a couple of rental chairs and table, setting up a laptop with a slide show. Anything to show your guests. Yes, of course you’ll do your best to track down the exhibit and it MAY get to you in time. But if not…

  2. Tradeshow Questions

    Why do exhibitors do dumb things? We’re only human. That’s why we left all but a half dozen business cards in the office. That’s why our eyes glaze over after a long day right when that big prospect comes up and asks a really good, engaging question. That’s why we can’t sleep in an uncomfortable hotel bed and we show up at the booth with eyelids and tail drooping. That’s why – when we do all of these things – we still suck it up, put on a smile and make the best of it.

  3. Why did the company decide to invest in a HUUGE island booth but only provide three staffers? Or the flip version: why did the company cut corners with a small inline booth but have 15 people scheduled? Could be bad planning. What do you think?
  4. When did your co-worker take that weird/ugly/goofy photo of you and decided to post on your company Twitter account with the show hashtag and now you’re getting lots of comments? When you weren’t looking. Are you going to get even?
  5. Why am I standing next to a handful of booth staffers who think they need to keep checking their phones 85 times a day, eat a sandwich in the booth, and ask questions of visitors such as: “Can I help you?” Here’s one with an easy answer: they’re newbies and nobody bothered to tell them that tradeshows are a unique environment. It’s a sales environment, but atypical. You need to discern if your visitors would use your product, if they’re in need of it now or the not-too-distant future, who is the decision maker and do they have the budget? Once you know that, you have a qualified prospect and you can set a follow-up that both sides agree on.

 

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How to Explain a Damn Good Tradeshow Exhibit to Your Mom

Well, first off, if it was my mom, I probably wouldn’t use the word ‘damn,’ but hey – there you are. My mom turns 90 (!) next June, has no interest in tradeshow marketing or tradeshow exhibits, but she has read and enjoyed my book Tradeshow Success. So maybe there’s a wee bit of interest. Still, she probably doesn’t really know what goes into a damn good tradeshow exhibit, so it’s a fun exercise.

good tradeshow exhibit
Mom and Dad on the trail, 1978. Photo by Nils Johan-Mauritz

“First, Mom, look at the overall impression the exhibit gives you.” The booth is big like an island, small (10×10) or medium. Doesn’t matter, it’s going to give you an impression. And as my mother used to say (ha!), you don’t get a chance to make a second impression. What does the exhibit say to you? Is it welcoming? Does it communicate any specific messages with the images and graphics? If there’s  a hanging sign, you should be able to identify the company from a couple of hundred feet away.

“Now, Mom, look at the exhibit a little closer. Are the graphics sharp? Can you read them from 30 feet away? If they’re sampling items, it is clear that the displays are samples that you can take with you, or not?” When a visitor approaches a booth staffer should greet them, or there should be some intuitive understanding of what you are able to do. If there’s a sample of your products, is it easy to understand that you can take one, or if not, is there a sign that says “for display only”? Do you have an immediate understanding of the type of company they are, what products they offer, and how they want visitors to see them in their industry?

“Okay, Mom, do the booth staffers look like they know what they’re doing? Do they have a smile? Are they on their phone? Are they paying attention to passersby?” Well-trained booth staffers know how to greet people with good questions, offer a smile, and are not doing something that is off-putting such as staring into their phone or eating. They know how to quality and disqualify visitors with a couple of questions.

“Mom, look around: is the booth clean? Are there personal items stashed out of site or are they leaning up against some element of the exhibit?” A well-designed booth will have ample storage room for personal items and products or other things needed throughout the show by the staffers. It’ll be clean, garbage cans won’t be overflowing. Yes, at the end of a busy day, it may be impossible to have a spic and span exhibit, but an attentive staffer can take a few moments during a lull to run a carpet cleaner over the floor and hoist the garbage into a nearby garbage can.

“Finally, Mom, let’s pretend we’re interested in their products and see what happens.” At this point, a good staffer will start the lead generation process, whatever it is. They’ll scan a badge, collect a business card, ask a few questions that determine the level of interest, and finally, they’ll agree on a follow-up step with the potential client. It could be an email, could be a phone call, could be a personal visit, could be sending them something in the mail. And you’ll both agree when that step will take place.

If Mom – who has no knowledge or interest in tradeshow marketing, but is sharp as a tack – can understand these things and see that damn good tradeshow exhibit from many aspects, you’ve accomplished a lot.

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Tradeshow Guy Blog by Tim Patterson

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