When people walk by your booth, they make a subconscious (or unconscious) choice on whether or not to stop and visit. In an instant, that choice is made. Much of what they base that choice in never really registers as a solid thought, but the choice is made regardless. They stop to visit and check out your booth. Or they keep on going.
What makes them stop? What makes them keep walking? Let’s take a look.
Brand: if they know the brand, they already have an impression. They have an emotion tied to the brand. It may be positive or negative. Or it may be neutral. In any case, the brand itself is part of that judgment.
Size of booth/how many people are already there: if a couple of dozen people are crowded into an island booth and they are all engaged in comes activity, or they are all paying attention to a single activity such as a professional presenter, they may decide to join. Nothing draws a larger crowd like a small crowd.
Newness or uniqueness of exhibit: if they come around a corner and see something they’re not used to seeing, that may impact their decision on whether to stop. The exhibit itself can be a big part of that subconscious process. Newness counts to a degree. New graphics, clean look, something different than they’ve seen before.
What’s happening in the booth: something interactive, something hands-on can spur people to impulsively stop to find out more. VR headsets. Spinning wheel. Quiz. Anything that lets people get involved, even if only briefly.
Familiarity: of course, familiarity can count, too, especially if that familiarity is of a positive nature. If they’re familiar and fond of a brand, that can draw them in.
Cleanliness (or lack): clean floors, fresh and wrinkle-free graphics, garbage cans that aren’t overflowing all create a positive impression. Clutter, grimy, broken, old or frayed exhibit pieces can put people in the mind of being repelled. They may not even know why, but they’ll subconsciously steer clear of something that their mind recognizes as distasteful. Something that’s not clean can repel.
People: your booth staff is critical in getting tradeshow floorwalkers to stop or not. A well-trained staff knows how to ask a good opening question, and how to engage. A great staffer will override other flaws in your booth, such as an older exhibit, minor lack of cleanliness, unfamiliarity with your brand and so on.
With thousands of people walking the floor at a tradeshow, everything you do and everything that they can see in your booth space can influence their decision on whether or not they will stop. A small change can add up to a significant difference in your response rate. If you could increase your visitor rate by 20% just by having a clean booth, would that make a difference? If you could triple your leads by doubling the size of your booth space and installing a new exhibit, would that be worth it? I’ve seen it happen. Every little thing counts. So does every big thing. What is drawing visitors to your booth? And what is repelling them without you knowing? Take a closer look next time.
This blog post came thanks to an idea from Mel White at Classic Exhibits. Thanks!
I got a chance to play a little with the new Classic Exhibits Gravitee “No Tools” Tradeshow Exhibit. Having a hands-on experience is better than reading about it. And if you can’t get a hands-on experience, you can at least see mine:
What about the type of graphics you might consider putting on Gravitee? Gravitee accepts both SEG Fabric and Direct Print Graphics, so take your pick.
Preparing for a tradeshow takes time and effort, which you may already know if you’ve participated in a tradeshow in the past. That being said, it helps to have a checklist on hand to make sure you get everything just right before the big day.
Below we’ve outlined the ultimate tradeshow booth checklist for you to use before your next show to boost your efficiency and marketing ROI.
Research the exhibitor space and show beforehand.
Do you know where your booth is located at the event? If you have the opportunity to pick your spot, think about selecting an area near the entrance where you can meet and greet people as soon as they walk in. Once you have your booth location nailed down, don’t forget to promote it. Advertising your presence at the event can drive more foot traffic.
Plan out your booth ahead of time.
You and your team should have a good idea of what type of graphics you will be using and how the space will be set up before the event. Will you have a custom exhibit or table top with a table cover? Will you have a booth backdrop? What about signage? These are all factors you’ll want to consider beforehand.
In addition, don’t forget about your marketing collateral. Your marketing team should have informational materials to give out to those who come by your booth and want to learn more about your products and services. After deciding on the right pieces, feature pamphlets prominently in literature stands or on tabletops so potential customers can easily grab them.
Engage in pre-show promotion.
Emails, social media, and direct mail are all ways you can drive traffic to your booth when the big day comes. Think about creating a marketing campaign centered around the trade show to raise awareness of your presence at the event before it officially kicks off. You can also often promote your presence with the organizers of the show itself whether that be via email or an advertisement in the conference agenda.
Come up with a plan to drive traffic to your booth.
Think about creating a giveaway program to encourage attendees to stop by your booth. Consider a raffle where you give away a prize on display at the actual event. An acrylic locked box can be used to hold the prize safely until it’s time to award it to the raffle winner.
You may also want to use tradeshow banners to drive traffic to your booth. If you want to go the extra mile, think about hosting a small event at your booth, such as a coffee hour, for networking with people who stop by your area. Finally, don’t forget about offering freebies to those who come by your booth. Marketing materials, such as branded pens and keychains, can help you stick out in the mind of booth visitors long after they drop by your stand.
Create a plan for collecting leads.
Will your team have lead scanners or will you be simply collecting business cards? These are questions you’ll want to have answered before the big day. Think about using a tablet to collect attendee information with a form that connects directly to your CRM system to streamline the lead collection process. Tablet stands and holders can be beneficial at your booth for this reason.
Final Thoughts
While planning a tradeshow does require a certain amount of flexibility, having this checklist on hand can give you the best chance at making the most of your marketing opportunity. Follow these tips and you’re sure to be off to a good start for your next show.
Marla Bracco is the content marketing manager for shopPOPdisplays where she focuses on content strategy and search engine marketing, designed to help the organization shape their web content around digital marketing objectives and priorities.
I can recall two recent ones at a marketing conference that really stand out.
The first was a full on lounge with free coffee and breakfast, ample seating, and newspapers. It was a genius idea because it flowed so naturally from the event floor. I sat down and didn’t want to leave after a long day. I remember that.
The other one was an AWS exhibit by Amazon. Amazon not only dominated the floor with their main exhibit, but they had a second one with a full on classroom. Yes, this counts as an exhibit, and it was packed the brim the whole show.
Which exhibits do I not remember? Practically everything else.
The truth is, if you’re not one of the top displays at a show, you’re not going to be remembered months later.
Of course more goes into it than just the cosmetic design, but that’s where it begins. You can’t make your awesome connection with attendees, you can’t do the demos, and you can’t collect leads if you can’t even get people to pay attention.
This is especially true for up and coming businesses that don’t have the name to draw a crowd on it’s own.
The thing is, while cost is certainly a factor, many booths are boring due to corporate procedures and lack of time.
Your average event organizer is doing an awesome job – but quite frankly, just doesn’t have enough time.
Between scheduling staff, arranging flights, planning material for the show, and everything else, the trade show exhibit usually ends up being just good enough.
Joe is the marketing director of Coastal Creative – a San Diego-based design and printing company. He’s always on the look out for the next great marketing strategy – both online and offline. His favorite trade show tip is to make connections with celebrities in your industry that are hard to get ahold of online. Check out the original graphic here.
TradeshowGuy Tim Patterson and Jim Shelman, General Manager of Classic Rental Solutions, tackle the topic of #tradeshow #exhibit rentals: how they’ve changed, how to customize and much more on this week’s edition of the TradeshowGuy Monday Morning Coffee.
One of my favorite newsletters comes from Bill Lampton, Ph. D., otherwise known as the BizComunication Guy. When I invited him on to the TradeshowGuy Monday Morning Coffee several weeks ago, he offered to interview me for his weekly show as well. It was a pleasure to reciprocate. Bill is great interviewer and as you might imagine a professional communicator.
When I first got into the exhibit industry in the early ‘00s, the company I was hired by, Interpretive Exhibits in Salem, was heavily involved in an exhibit for the Army Corps of Engineers. It was a permanent installation (still there) at The Dalles Dam in The Dalles, Oregon. The theme of the exhibit was “Tradeoffs” and it addresses the various parties involved in the needs and desires of the Columbia River. For every group that had in interest in utilizing the Columbia River as a resource, there was a tradeoff
of sorts. Sports fishermen, Native Americans and their fishing rights, shipping and transportation, recreation and so on – there were all sorts of groups that wanted something out of the river. The exhibit went into detail to explain each group’s interests and how they had to compromise, in a sense, to get a lot (but not all) of what they wanted.
That concept – the tradeoff – comes up in my mind frequently, and it can be applied to virtually anything that you are involved in.
Apply it to the tradeshow world: if you are willing to spend the money on a larger exhibit, the tradeoff is often that you must also be willing to hire a crew to setup and dismantle the exhibit, and you must be willing to pay more for shipping.
If you want an exhibit that can quickly be setup by one or two people, the tradeoff is that you must be willing to settle for a very simple design with limited bells and whistles and perhaps a lesser impact than something more complex.
If you want to have a professional presenter in your booth space pitching attendees several times an hour, the tradeoff is that not only do you need to invest in hiring that presenter, but you’ll need to make sure you have enough staff on hand to engage as many of those attendees as possible before they slip away.
It seems like we’re always giving up one thing to get another. We don’t live in a world where we have it all. Or a world where we have nothing at all.
We live in a world where we’re always calculating a tradeoff that works best for us.
Who says you can’t order a tradeshow exhibit online? I’ve seen a ton of sites that claim it’s easy. Just find the exhibit you want, upload the graphics, submit your credit card and voila’ – you have an exhibit coming your way!
VK-1971 10′ inline rent or purchase
The challenge with that plan is that if it works, it only works for smaller “off-the-shelf” items, such as banner stands and pop-up back walls.
When you order online, your choices are limited. You don’t know the quality of the products you’re getting. You don’t (usually) know where they were made. You don’t often know if you’re getting setup instructions in a language you can understand.
Instead, what is more likely – and a better result for both buyers and sellers – is when you find something online that you are interested in purchasing, that interest spurs a conversation. At TradeshowGuy Exhibits, we’ve sold a lot of exhibits to people that we haven’t met in person until finally meeting at a show. And we’ve sold to companies without ever meeting them. In a sense, they are buying, and we are selling, online.
But a true sale is only started online. For a buyer to get exactly what they want for a custom tradeshow exhibit, a number of questions have to be answered (see our 7 Questions You’ll Never Ask Your Exhibit House). Often there are conversations with a 3D exhibit designer. Maybe you’ll talk with a project manager. You’ll cover items such as how is it packed? how is it shipped? do you need to hire someone to setup the exhibit? and many more.
If you browse our Exhibit Design Search, you’ll see a BUY button. Go ahead, take a look. When you click the BUY button, you’re taken to a page that, once you fill out and click “send” starts a conversation. It takes more than a click to buy an exhibit.
So, yes, you can buy something online that is somewhat of an exhibit. But if you want a true exhibit, a custom exhibit, talk to your exhibit house.
When it comes to judging the time, effort and money involved in big tradeshow projects vs. small tradeshow projects, it may come as no surprise that small projects are often more involving than big projects.
Let’s take a look: let’s say a big project is either an island exhibit such as 20×30, or a longer inline exhibit such as a 10×30. A client has decided to move ahead with something that, to them at least, is large. If not large, then a very significant project and investment. The steps involved, once the decision to move forward, typically cover these areas:
Create and finalize the design
Create and finalize the graphics
Fabrication and walk-through of the exhibit
Crate and ship
Coordinate I&D (Installation and Dismantle)
Show off the new exhibit!
These are all certainly important and can be somewhat time-consuming. But from my experience, companies doing larger exhibits are often quite experienced at this process. They know the steps and know what to anticipate and when. There are questions that come up along the way, but they know what they want. They have a solid idea for the design, or if not, know what functional aspects of their new exhibit are critical to a successful show. There is a certain amount of nitpicking along the way, as there should be, to get everything right. But most questions are answered quickly, and the process moves on.
In smaller projects such as a 10×10, or a handful of banner stands, or graphic back walls, or even renting an exhibit, you’d the process would be quicker, easier. In many cases, yes. But not always. Sometimes the client is focused more on the budget because they are working with fewer dollars, and the amount of examining each step in minute detail becomes all-important. Or there may be someone involved that isn’t as experienced that has been tasked with the project. Which means that more questions often come up. Nothing wrong with that – it’s a good opportunity for a learning experience.
So which is more work – a big tradeshow project or a small tradeshow project? There’s no straightforward answer. Some big projects are much more work (for both the exhibit house and the client) than a small project. And some small projects eat up a lot of time and energy that is surprising for something that is so small. While big projects are, frankly, preferred, simply because one big project can be worth five or ten small projects, the small ones are very worthwhile, even the ones that consume more than their fair share of time and energy. Small projects handled with care and attention to detail shows the client that you care about them, not just the money. And these are often the clients that end up staying with you for the bigger projects that come up as their company grows. But from our perspective, small projects are worth it because it’s the glue that holds everything together. It shows you why you’re in business. It communicates to the customer that they’re not just a number – they’re a real, living, breathing company with real humans that want – and need – assistance in a world they’re struggling a bit with.
