Last fall I put out the book “Tradeshow Success: 14 Proven Steps to Take Your Tradeshow Marketing to the Next Level.” I’ve done several promotions around it, given away a bunch of copies, and use it as my main calling card.
But I’ve never done a webinar on the book. Until now. Check it out:
Any good tradeshow marketing strategist is going to come up with a few dozen reasons as to why you should exhibit at tradeshows. But what about some of the reasons NOT to exhibit at tradeshows? Are those reasons worth exploring?
First, let’s assume that if you are exhibiting at tradeshows or at least considering them, you are able to identify the shows that are of the most benefit to your company and products or services you’re pushing.
Some reasons NOT to exhibit:
You’re trying to get attendees to stop at your booth with some gimmicky things like fishbowls and spinning wheels or putting greens. These may get people to stop, but the gimmick doesn’t know how to separate the prospects from the walkers-by. Only you can do that.
You don’t have a measurable objective. In other words, you’re just setting up a booth, handing out samples or giving demos, but are not taking care to count anything. If you want to know if your tradeshow appearance is worthwhile, you have to track metrics such as visitors, leads, sales, demos given – and do it year over year and show by show.
You’re thinking only of the logistics of a show and not the strategy of how the show plays into your overall marketing approach.
Your staff is unprepared for the chaos of a tradeshow floor and the long hours and hard work it takes to pull it off.
It’s too expensive. True, exhibiting at a tradeshow is likely to make an impact on your marketing dollars. But it’s a proven way to keep the cost of your lead acquisition much lower than the typical sales call. Yes, there are some businesses that do it differently and have written off tradeshows, but if it works for you, there’s no reason to quit as long as you’re able to get a good return on that investment.
Your booth does not accurately represent your brand and the graphic messaging is cluttered and/or unclear.
You don’t have a lead management system in place that all participants understand and know how to use.
You only plan to exhibit at one show this year. It may be a great show that perfectly fits your audience. But if you only do one show, you’re missing a lot of potential customers at other shows. Stats show that nearly 4 out of 10 attendees are first-timers and 46% of attendees are only going to that one show.
You’re not interested in or willing to network. People like to meet face-to-face, and tradeshows are a great place to spend time with people in the industry that can give you insight into other areas of your industry.
You don’t realize that many exhibitors do NOT bring their “A” game. Face it, we’re all human. Many of your competitors are not going to do their due diligence and train their staff, do pre-show marketing, have a great product or know how to generate leads well. If you can do those things even marginally better than average, you’re going to succeed more than your neighbors. If you do all of those things very well, you’ll probably run laps around them.
Perhaps if you can overcome these reasons not to exhibit, you’ll find a lot of great reasons TO be setting up a booth and pitching your products and services. But it comes down to you.
I’ve been seeing them more frequently at the big shows: double deck booths that create a private meeting space above the crowd. But is it something you should consider? Is it worth it?
Let’s take a look. First, if you are considering a double deck rental for your island space, keep in mind you’ll probably need at least a 20×20 island, if not 20×30 or larger. Due to the physical engineering and space of the stairs and the height needed, the stairs themselves will take up about 16′. In a 20×20 booth, you can put a smaller upper deck, but it still dominates the space. Perhaps that’s okay – only you can decide that.
But the double deck also comes with other considerations. Do you rent or buy? A purchase commits you to the double deck for at least a few years. Now, if you’ve determined that a double deck is a useful part of the booth perhaps purchasing the deck is the thing to do. If you rent, you’re only committed to a single show.
Another question is: do the upper meeting areas get used enough to warrant the additional cost? If it’s a busy show with tens of thousands of visitors and a few thousand exhibitors, there’s probably enough traffic to warrant the cost. If you schedule enough meetings in your pre-show planning, you might be able to justify it. But if you end up with an upper area that only gets used a few times during the show, you’ll probably regret the expense.
Beyond the cost of purchasing or renting the double deck, there’s the additional cost of setting it up. You’ll often need a supervisor from the double deck rental company to be a part of the I&D to ensure it is set up properly. There are legal engineering and fire safety requirements, along with insurance and other regulatory requirements which can vary from city to city, so make sure you work with a company that is familiar with the legal requirements.
Exhibiting halls in different cities can have differing height requirements. There are weight capacity requirements and depending on total space for meetings, the number of stairways (tied to upper capacity). Typically a structure must be engineered to withstand 100 to 125 pounds per square foot.
In some cities, such as areas of California and the Northwest, the structures must meet earthquake codes as well.
There are certainly other city and hall requirements, but your exhibit provider should be able to ensure that your double deck booth, whether a rental or a purchase, can meet those requirements whatever they are.
Whatever your decision, a double deck is a big step if you’ve never done it before, and it warrants a thorough consideration of all of the ramifications. Take a longer look at double decks here.
At this year’s ExhibitorLIVE conference and tradeshow in Las Vegas, the annual Portable/Modular Design award were handed out. Here at TradeshowGuy Exhibits (formerly) Communication One Exhibits, we snared a design award for last summer’s SoYoung 10×10 portable booth.
Keep in mind, this was not the popularity contest where everyone got to vote on their favorite design. No, this was the juried design award.
The goal of the competition was to “recognize the vendors and designers responsible for these remarkable exhibits, while also spotlight what’s possible in this realm.” It was the third annual version of this competition. While it appears that all of the awards have yet to be posted online, you’re welcome to review winners of the first and second years.
When we were contacted by SoYoung last summer, owner Catherine Choi indicated that they were looking to upgrade their current booth, which was a bit of a mishmash of hanging shelves and display units which didn’t work as well as they liked. Working with Classic Exhibits and designer Katina Rigall, we created an attractive and functional booth with a large backlit graphic, product display shelves and a unique aluminum CNC-cut display tree (which is what we think knocked it out of the park and got the judges’ attention).
The booth made its debut at Expo East last fall in Baltimore and will continue its work at Expo West in Anaheim this winter and beyond.
Exhibitor Magazine made the announcement of all of the award winners on March 1st, starting with the SoYoung booth. Many thanks to Classic Exhibits and Katina for creating a beautiful, creative and functional design, and of course to SoYoung for reaching out to us for the project.
You’ve decided it’s time for a new booth. Time to start from scratch. For whatever reason, your current booth no longer effectively represents the company brand, so you’re hiring a new exhibit designer.
Once you’ve chosen a designer and/or exhibit house, it’s time to get off to a good start with your new 3D designer. You’ll want to keep a few things in mind:
First, if you’re working with a graphic designer to come up with a booth design, you may be starting with the wrong person. Graphic designers aren’t necessarily trained in 3D exhibit design, and 3D exhibit designers are necessarily adept at graphic design. Chances are you’ll want both.
Start by creating a design brief that details your overall marketing goals, and then details the specific tradeshow marketing goals. In fact, if you can detail the show-by-show goals, that will be even better. Define the objectives: branding awareness, lead generation, media and PR outreach, product sales and more. Not everything will be directly applicable to the 3D design, but your designer can absorb the information anyway.
Next, explain from your perspective, the company’s brand and how you’d like to represent it to the world. If you have information on how the brand is seen by consumers and clients, add that in too, especially if it’s different from your perspective.
Now, list your products and services. Sometimes, in the case where a company has hundreds of products, listing them all is probably unnecessary. However, a good description of the main product areas is important. Create a list of issues and problems that your products and services address: what do they solve? How do they help customers solve a problem, achieve a goal or satisfy a need?
Detail your target market. Are they young, old? Consumers or businesses? Men, women? Or some combination?
Next, write a paragraph or two on the look and feel of your new booth. Detail size, materials, and how the booth should make people feel when they see it. Is it traditional, cutting edge, modern? Space age, funky, unusual? What colors are in your brand?
Include your budget, booth size, note if it will be set up in different configurations, and the functional needs, such as storage, product display, meeting areas, demo counters, video monitors, greeting counters and other items such as banner stands, iPad kiosks, etc.
Include a few comments on how and where will the booth be stored and whether you expect your staff to set up the booth or if you plan to hire show labor.
Working with an experienced designer and exhibit house can save you money in the long run, especially if you exhibit multiple times a year. You’ll have a professional team working with you at each step to craft a creative and effective design and bring that design to life.
Need to get your hands on your next great tradeshow exhibit but don’t know where to start? Here’s a place that will give you so many choices your head will spin. However, the great thing is that once you narrow your choices down, it’s easy to share with your colleagues and team members. Check out this video:
It appears that our first webinar of 2016 went off with a hitch or a hiccup. At least that’s what it felt like! Here’s a replay in case you missed it:
Sign up for future webinars at TradeshowGuyWebinars.com. Our next one is set for February 16 at 10 am Pacific, and will feature Hiett Ives of Show Dynamics, Inc. of Houston Texas. The title of his presentation is “Tradeshow Leads Guaranteed” so you’ll want to make sure to attend!
One of our recent booth projects over the summer was a custom portable modular booth for the Toronto-based company SoYoung. The project turned out so great and people loved the look, that the design and fabrication team at Classic Exhibits thought it should be entered in the Exhibitor Portable/Modular, which recognizes design excellence. So it was. And it made the finals round where you, the public, get to vote!
Classic Exhibits also had two other projects make it to the finals round: Philadelphia Commercial and Nationwide.
The rules for the voting are simple: you can vote only once a day, but you can vote every day.
Lots of things are green today, but what does it really take to make a green exhibit?
First, let’s agree on what ‘green’ means.
Most agree that it means moving away from standard business-as-usual fabrication methods by replacing traditional materials and/or ensuring that the chain of incoming products and outgoing materials is as eco-friendly as possible. Ultimately it means as many methods as possible are used to design and fabrication environmentally sustainable exhibits.
How to be Green
In a recent chat with Matt Wish, the Marketing Director of Eco-Sustainable Exhibits (HQ in Grand Rapids, MI; Manufacturing in Portland, OR), we went over what it takes to design and produce a green exhibit.
“Compare it to what people are used to in the construction world: LEED Certification. It’s a great buzzword. What we’ve done is take what we think the LEED Certification would be for a tradeshow exhibit and applied it,” said Matt.
Everything from materials that are being used to the substrates that graphics are printed on, down to the inks used are all combined to assemble what could be called a green exhibit. This includes recycled aluminum extrusions, LED lighting, Paradise Fabric Graphics made from 100% recycled soda bottles, eco-glass, bamboo plywood, FSC certified wood, eco-board and even stains and finishes using water-based low VOC (Volatile Organic Compound) and VOC Free.
“We do all we can to hold our company accountable to keep things eco-friendly and green,” said Matt.
Eco-Sustainable Exhibits works closely with Classic Exhibits, their manufacturer, and that has been fruitful for both, as Classic Exhibits adheres to a very sustainable model, using recycled materials and recycling as many leftovers as possible. Another partner, Optima Graphics, also works diligently to recycle materials and use sustainable materials, which means that exhibits nowadays from these companies are about as green as can be.
Classic Exhibits is also in a unique position of being right next to a set of railroad tracks where recycled aluminum can be loaded easily and transported just a few miles to an aluminum recycler that has the capability of extruding many of the Classic Modul aluminum shapes. Being able to transport materials only a short distance instead of hundreds or thousands of miles is yet another way to keep the carbon footprint down on a green exhibit.
What about cost?
“Virtually identical,” says Matt. Which means that a few years ago what used to be more expensive than materials from the mainstream now costs virtually the same.
What about the quality?
“Most people can’t tell the difference,” says Matt. Some of the materials are better than typical building materials, some others may not be quite as good, but in any case, it’s a tossup. When it comes to the recycled plastic that goes into shipping cases, you’re actually getting a case that is more durable than those made from traditional cases in the industry.
Rentals are Eco-Friendly
A company can buy an exhibit and use it 5, 6, 7 years or more and get a lot of mileage out of that new purchase. This contributes to the greening of the exhibit because you’re not buying very often. And when you finally outgrow the exhibit, as you transition to something new, those old materials can likely be recycled or repurposed.
But what about renting? By renting you’re continuing to use the same materials over and over, which also contributes to the greening and the sustainability of the industry.
Final words?
As Matt put it, “so many people have a negative approach, saying that you shouldn’t drive so much, or waste so much, and so on, but we like to take the positive approach and say that even a little bit of green is a great step in the right direction.” Whether renting or buying, asking your exhibit house what kinds of sustainable materials they have, or what kind of sustainability practices they incorporate, lets them know that you, as an exhibit purchaser, are interested in the greening of tradeshow exhibits.
By making small changes where they make sense, that small change can add to the overall effect that we, as planet inhabitants, need to consider when we get out our checkbook to put a new exhibit into place.
Want to browse green exhibits? Many of Eco-Systems Sustainable Exhibits are found here on the Exhibit Design Search.